Reading graphic design history : (Record no. 30127)

MARC details
000 -LEADER
fixed length control field 03246cam a2200409 i 4500
001 - CONTROL NUMBER
control field on1164380220
003 - CONTROL NUMBER IDENTIFIER
control field OCoLC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240219140702.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 200703t20212021enkaf b 001 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781474299398
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1474299393
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781474299411
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1474299415
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1164380220
Canceled/invalid control number (OCoLC)1164344744
040 ## - CATALOGING SOURCE
Original cataloging agency ERASA
Language of cataloging eng
Description conventions rda
Transcribing agency ERASA
Modifying agency BDX
-- UKMGB
-- OCLCO
-- OCLCF
-- YDXIT
-- YDX
-- YDXIT
-- CIA
-- YDX
-- OCLCO
-- GZN
-- UKOBU
-- S1C
-- MUU
-- XFF
-- OCLCO
-- OCLCQ
-- OCLCO
-- ZVP
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title ENG
049 ## - LOCAL HOLDINGS (OCLC)
Holding library ZVPA
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number NC998
Item number .R35 2021
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Raizman, David Seth,
Relator term author.
245 10 - TITLE STATEMENT
Title Reading graphic design history :
Remainder of title image, text, and context /
Statement of responsibility, etc. David Raizman.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture London ;
-- New York :
Name of producer, publisher, distributor, manufacturer Bloomsbury Visual Arts,
Date of production, publication, distribution, manufacture, or copyright notice 2021.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2021.
300 ## - PHYSICAL DESCRIPTION
Extent xxxiv, 251 pages, 16 unnumbered pages of plates :
Other physical details illustrations (some color) ;
Dimensions 26 cm.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent.
336 ## - CONTENT TYPE
Content type term still image
Content type code sti
Source rdacontent.
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia.
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references (pages 235-244) and index.
505 00 - FORMATTED CONTENTS NOTE
Title Foreword / Steven Heller --
Miscellaneous information Acknowledgments --
-- Introduction --
Title Josef Müller-Brockmann: "schutzt das Kind!" and the mythology of Swiss design --
-- Koloman Moser's Thirteenth Secession Exhibition poster (1902): anatomy of a work of Viennese graphic design --
-- Cassandre and Dubonnet: art posters and publicité in interwar Paris --
-- Frank Zachary at Holiday: travel, leisure, and art direction in Post-World War II America --
-- Food, race, and the "New Advertising": the Levy's Jewish Rye Bread campaign 1963-1969 --
-- Graphic design and politics: Thomas Nast and the "TAMMANY TIGER LOOSE" --
-- The politics of learning: Dr. John Fell and the Fell Types at Oxford University in the later seventeenth century.
520 8# - SUMMARY, ETC.
Summary, etc. Reading Graphic Design History uses a series of key texts from the history of print culture to address issues of class, race, and gender, encouraging the reader to look at print advertising, illustration, posters, magazine art direction, and typography critically as well as aesthetically, using contemporary literary and other visual evidence from the fine arts, architecture, fashion, and popular prints. David Raizman's innovative approach intentionally challenges the canon of graphic design history, or traditional understandings of graphic design that privilege key schools or movements. He re-examines "icons" of graphic design in light of their local contexts, avoiding generalization to explore underlying attitudes about women's roles in society, the relationship between politics and print, race, and ethnicity. He therefore encourages new ways of reading graphic design that take into account the specific and often local context for graphic design activity rather than generalizations that discourage the understanding of difference and the means by which graphic design communicates cultural values.
590 ## - LOCAL NOTE (RLIN)
Local note BGCFOLIO.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Graphic arts
General subdivision Social aspects.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Graphic arts
General subdivision Political aspects.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Graphic arts
General subdivision History.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Heller, Steven,
Relator term writer of foreword.
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Library of Congress Classification
Koha item type Books
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection Home library Current library Shelving location Date acquired Total checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Library of Congress Classification     AUE Library Collection MAIN MAIN General 02/19/2024   NC998 .R35 2021 14086015 02/19/2024 02/19/2024 Books