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Art history 101 ... without the exams : looking closely at objects from the history of art / Annie Montgomery Labatt.

By: Material type: TextTextLanguage: ENG Publisher: San Antonio : Trinity University Press, [2022]Description: 523 pages : illustrations (chiefly color), plans ; 21 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781595348784
  • 1595348786
Other title:
  • Art history one hundred one ... without the exams
  • Art history one zero one ... without the exams
Subject(s): DDC classification:
  • 709 23
LOC classification:
  • N5300 .L25 2022
Summary: "Beginning with prehistoric cave drawings and Greek statues; continuing through the Gothic, Byzantine, Baroque, and the Renaissance movements; and concluding with the Impressionist work of Monet and Picasso, Annie Labatt asks readers to consider each work and think about the artist who created it and what they wanted us to see. She frames our understanding of the piece's historical and social context as well as the artist's background and, in many cases, the patron who commissioned it. The discussion of each period stands alone and lends itself to be read in no particular order. From the tiniest details to the broadest cultural implications, the work helps readers see why these artworks are considered masterpieces"-- Provided by publisher.
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Books Books MAIN General AUE Library Collection N5300 .L25 2022 (Browse shelf(Opens below)) Checked out 10/23/2024 14086100

Includes bibliographical references and index.

"Beginning with prehistoric cave drawings and Greek statues; continuing through the Gothic, Byzantine, Baroque, and the Renaissance movements; and concluding with the Impressionist work of Monet and Picasso, Annie Labatt asks readers to consider each work and think about the artist who created it and what they wanted us to see. She frames our understanding of the piece's historical and social context as well as the artist's background and, in many cases, the patron who commissioned it. The discussion of each period stands alone and lends itself to be read in no particular order. From the tiniest details to the broadest cultural implications, the work helps readers see why these artworks are considered masterpieces"-- Provided by publisher.

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